Broadway is in a strange uproar on a robot -playing actor race

Broadway enjoyed a quiet, comfortable and peaceful summer.

But showing people cannot get it!

They always need, as Betty sang in “Boop! The Musical”, which is something that shouts it.

Their thing has finally reached a hot controversy in the best Tony Music Award for this year, “Perhaps a happy end.“

It is Doozy.

Some members of the theater industry are Holierin, “It is a scandal! It is anger!” On the actor’s race to play – honesty or not – robot.

“Perhaps a happy end”, by the Hoy Park and Will Aronson’s writing team, is a small, nice, science fiction comedy located in Seoul, South Korea, during 2060.

The main characters are Oliver and Claire, which Darren Chris plays, which was half a Filipino, and Hilin C. Shin, Chinese.

Oliver and Cleier robots.

But the duo of nuts and tiles became delightful, so they embraced an twisted adventure to find the old Oliver owner.

Perhaps the most beautiful offer comes to Broadway.

Or it. Even this is the last Fraas.

Happiness was announced when a great alternative was announced, a alternative to Tony Criss: Actor Andrew Barth Feldman, the star of the wonderful “No Fefounts hard Comfort” who was a friend of him as well. It is white.

Oh!

Individually, many in Broadway are largely fine with that. The most common abstinence that I heard is: “Well, it’s robots.”

But social media, as it is better, poured gas on fire.

The playwright and actor BD Wong, who was a strong voice in 1991 against British actor Jonathan Price, who plays the role of the European engineer in “Miss Saigon” (was completely right to it), wrote an article and chooses the choice.

The American -American Labor Alliance came out against it as well.

What do creators say?

They did not write the roles to be culturally specific.

Because they are robots!

Robots have no culture.

Well, except for the prohibition, of course. He loves Schnitzel and Strudel.

After the reverse reaction, Aronson and Hui explained – cute and humble as it is – on Instagram that they started to create a “modern fictional”, able to perform anyone comfortably, anywhere – but it was clearly placed in Korea. “

fair enough.

They said that Oliver and Claire are “products established by a” unlimited “international company.

This makes a lot of meaning. Because characters are robots.

And the production said in Statement to the Times“We are proud to create a show where each role can be filmed original by an Asian actor, although robot roles have not always been imagined in this way.”

This openness was true during the “Perhaps Happy End” trip.

Aronson Los Angeles Times said In March, during an early workshop, the parts were taken by Denée Benton, which is black, and Korean Cote, which is white.

He sees? There is a lot of elasticity when throwing robots.

See, it’s a huy and Arons. They wrote that. Who will tell them what they can and what they cannot do and what are their intentions?

The truth is “perhaps a happy end” is the only music in Broadway where the expected customers realized. (Although I saw a lot of offers, it definitely looked as if it were). It is a very unusual circumstance, and it is hard to extract extensive conclusions from.

In works of Asian humans, such as IMELDA Marcos “Here Love Love”, nothing like this will happen anymore.

Feldman, who was no less than last season, “Our World”, begins the performance of Pilasco theater on September 2.

The uproar should die before that.

Then fall into Broadway, you can resume to be “happy”.